Flowers
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Flores, designed by Enzo Mari in 1992, is a spacious and versatile box, ideal for holding pencils, markers, pens, letter openers, scissors, paper clips, erasers, adhesive tape, pencil sharpeners, keys, glasses, postcards, diaries, invitations, stamps, coins, playing cards, buttons, needles, threads, thimbles, pins, ribbons, cigars, cigarettes, matches, pipes, aspirin, tranquilizers, plasters, pills, rings, necklaces, brooches, bracelets, lipsticks, mascara, face powders, eye shadows, and so on.
Composed of two pieces (lid and container), it is entirely made of shock-proof and flame-resistant technopolymer (class VO/UL94) in white and black or in translucent technopolymer in the colours: orange, blue, opaline or graphite.
Its rounded, plastic form changes as the viewer shifts. The hinges, with their interlocking design and elementary movement, constitute the design's invention, the formal application of the material's technological and expressive capabilities. Located on the sides of the removable lid, they feature no screws or other components; they are not added appendages but rather complex extensions, joints carved into the printed material.
Flores is lightweight, shockproof, and allows contents to be seen. It's easy to assemble, disassemble, and clean. It's not suitable for food.
Enzo Mari was born in Novara in 1932. He completed his education at the Academy of Fine Arts in Milan, which he complemented by an intense artistic activity from the 1950s, with solo and group exhibitions in galleries and contemporary art museums. In 1963, he coordinated the Italian group "Nuove Tendenze" and in 1965 curated its exhibition of optical, kinetic, and programmatic art at the Zagreb Biennial.
He participated individually in various editions of the Venice Biennale and the Milan Triennale. At the same time, he began working in design, initially as a personal formal researcher, and then in collaboration with numerous industries in the fields of graphics, publishing, industrial products, and exhibition design.
A hallmark of his work, which has established itself internationally as one of the most representative of Italian design, is the constant research and experimentation with new forms and meanings for products, even in opposition to traditional industrial design schemes.
In 1971, he participated with a critical intervention in the exhibition "Italy: the New Domestic Landscape" at the MOMA in New York. His singular position as an artist-designer is documented in the many publications dedicated to his work, as well as in interventions at important institutions dedicated to his work, including the Association for Industrial Design, of which he was President from 1976 to 1979.
He has been awarded the Compasso d'Oro prize three times. His works and objects are in the collections of various contemporary art museums: the Galleria Nazionale d'Arte Moderna in Rome, the Moderna Museet in Stockholm, the Stedelijk Museum in Amsterdam, the Musée des Arts Décoratifs, the Kunstmuseum Düsseldorf, the Kaiser Wilhelm Museum in Krefeld, and the Museum of Modern Art in New York.
A major solo exhibition was held in 1983 by the University of Parma's Communication Study Center and Archive, which houses 8,500 drawings and works from his archive, which he donated to the CSAC.
More recently, his work has extended to research and design for urban planning (Milan City Council, redevelopment of the Piazza del Duomo) and teaching, through conferences and lecture series in Italy and abroad, including courses held at the Institute of Art History at the University of Parma and the Faculty of Architecture at the Milan Polytechnic.
